Panasonic 42.5mm f/1.2

This is one of the best lens for micro 4/3 camera. Pictures from this splendor are downright excellent, the transition from spotlight to shadow is without a doubt smoother than the Voigtlander 42.5mm and the photograph stabilization is good for some stops. This great lens is a new portrait lens for micro 4/3 cameras from Panasonic. At f/1.2 it has its hair “slower” than the Voigtlanders, but it adds two key functions that the Voigts don’t have: Optical picture Stabilization and Autofocus.

On the downside, it is 50% more highly-priced than the Voigtlander,  and it’s a lot larger, physically. In case you want the AF and OIS, however, this one’s nonetheless a good deal, as equal lenses for Canon and Nikon are even greater pricey than this one.

Olympus M.Zuiko 75mm f/1.8

This lens is one of the lengthy portrait lens for micro 4/3 cameras all and sundry seems to be lusting after, and with good reason. The 75mm covers a critical gap in the MFT lineup, giving users a sharp long-portrait lens within the 150mm range. The extra focal length helps you to compress perspective a little more and is optically one of the first-class lenses in the MFT lineup. Examining the pictures taken with a Panasonic GH4 and this lens at about 100%, the extent of details it gives is so sweet. It is not cheap and neither too expensive to buy. It is sold for about $900

The Voigtlander Lenses

The Voigtlander lenses are extraordinary wide-open, razor smooth and feature one extremely neat function that filmmakers will love. The 17.5mm and the 42.5mm each have aperture rings that may be unclicked with a twist, so you can easily move from wide-open to closed-down while video shooting. The 25mm was also updated lately to add the same characteristic. If you want to get the 25mm lens, it is recommended that you buy the mark 2 version.

Although they lack auto focus, they’re incredibly easy to focus, having refined, smooth action to the focus ring. Without any iota of doubt, these are the best lens for micro 4/3 camera.

Panasonic 12-35mm f/2.8

This is also one of the best lens for micro 4/3 cameras. The Panasonic 12-35 f/2.8 lens is equivalent to a 24-70mm lens on full-body cameras. As lenses cross, this is the workhorse of the MFT platform, and it provides image stabilization alongside. Video shooters operating with the Panasonic GH collection love this lens; it’s frequently the basic one they buy while using the Micro 4/3 platform.

This lens is one in all Panasonic’s “X” series lenses, which means that that it was created to a greater standard than other Panny’s glass. It could be thought of as the equivalent of Canon’s “L” glass, and in keeping with that moniker, it is dust and splash resistant if compared with a GH4.

Optically, this lens is a strong performer. There’s some amount of distortion at 12mm, but that’s nearly expected. There’s some vignetting at 12mm as nicely, however, it is nothing a visit to the Lightroom cannot easily amend in case you even notice it in daily photographs. It’s additionally pretty light-weight, even with the added advantage of image stabilization. In case you’re looking for the perfect lens to buy for your Olympus or Panasonic digital camera, this would be it.